Song: My Hero
Artist: Foo Fighters
Album: The Colour & the Shape
Released: May 1997
The drums kick off the song in stadium rocking fashion. The infectious bass line follows to complete the foundation. The guitar tops off the introduction and it's at this point that you know you are about to behold an all time classic. Dave Grohl's transition from legendary drummer to legitimate song writer and front man become fully realized as he weaves an undeniable melody, shifting from smooth verses to grainy, muscle driven choruses. The song is simple and in my opinion rock at it's very best. My Hero is a song that makes you want to stand up straight, roll your shoulders back, and dive head long into the maw of life to take on anything it dares throw at you.
My Hero makes my list for two reasons; number one, its freakin' awesome and you can't deny it, number two it is the song that I have designated to represent my father.
My first encounter with this song was while watching Varsity Blues in my freshmen year of high school. Some of you who know how old I am may be amazed by this as that was nearly two years after the song was released. Well what can I say I grew up in Greybull Wyoming where there is not a rock radio station within 100 miles. So that means if it didn't come through word of mouth or from a shot in the dark on ordering a cd through BMG music club, it didn't reach my ears. For those of you unfamiliar with Varsity Blues, it is a movie about high school football, which made the song that much cooler. To be introduced to a song as football players come running out of the tunnel and start cracking heads...well it goes without saying doesn't it? So for a while football is what I associated it with, which was great. Then sometime last year my mom said that she was going to be dividing our old family pics among us kids. I started thinking how cool it would be to put a slide show together highlighting each member of the family, sort of like they do at graduations, with the students. This slide show, would need music. My Hero was the first song I thought of to honor my Dad. He would find the song as nothing more than noise (as is the case with most songs that include any kind of electric guitar) but to the rest of us, I think it would be perfect.
My Father is the greatest example of what it is to be a father, husband, business man, and just a good man, that I can think of. He always gave everything he had (and even more after that) to make sure that all of us were taken care of. He made sure to be to all of our sporting and school events, capture them on film, (even the non competitive, annual Haslem "snow bowl", in negative 13 degree weather), make every holiday and family vacation, or any other event that held value to one of us, memorable and special. My Dad made our youth a conglomeration of adventures and lessons. From summer scuba trips to Oka-Bey lake, to developing legendary paintball reputations, to camping, surprise vacations, scavenger hunts, coyote hunts, wood cutting trips, and a laundry list of other things. Beyond that he taught us through his everyday actions. One thing that stands out was how he worked something like 15 hour days 6 days of the week and then what must have been another 8 on sunday after 5 hours of church meetings, for stretches the exceeded a month at a time. All this at a job he couldn't stand, because the job had to be done right, and it was the job that provided our family with the best medical coverage and standard of living. He hated his bosses, but yet he stayed and didn't just do the job of a good employee. There was a certain standard that he set in his work (whether he liked what he was doing or not) and that standard was damn near perfection. Still even during times when his job was the most taxing he always found a way to make time to attend any event his children were participating in. And he always made time for the Lord, and his church callings. Through it all he gave me a road map to being a man, he gave me a name that I will spend the rest of my life trying to live up to. He "bleeds it out, while the rest of them peter out", and "he's ordinary" to those who don't know him, but to me, he's as good as it gets. He's my hero, hands down.
too alarming now to talk about
take your pictures down
and shake it out
truth or consequence, say it aloud
use that evidence race it around
Chorus:
there goes my hero
watch him as he goes
there goes my hero
he's ordinary
don't the best of them bleed it out
while the rest of them peter out
truth or consequence, say it aloud
use that evidence race it around
(chorus)
kudos my hero
leaving all the best
you know my hero
the one that's all
Friday, February 25, 2011
Thursday, February 17, 2011
Far Behind
Song: Far Behind
Artist: Candlebox
Album: Candlebox
Released: July 1993
Far Behind makes this list for a couple reasons I suppose. I think the biggest reason, besides it being an absolute classic, is that it reminds me of my siblings. None of them committed suicide, as the lyrics suggest, thankfully but they all liked it. I remember first seeing the cover on a cassette tape in my oldest sister's car (which I would later drive and total, ha ha) which, as was family tradition, equipped with a rockin' system. It was, for me anyway, that period when hair bands were being replaced by grunge bands. When I was about 7 I was so into bands like Def Leopard, Firehouse, Warrant, and Metallica. Metallica is not and never was a hair band, I don't care what you say, they were an 80's band yest but if you have ears you can hear, they sound nothing like the other bands who sporting long hair. That's another story entirely though. It all changed so quickly when my sisters and brother started toting home new music like Pearl Jam, Stone Temple Pilots, and Candlebox. This was much cooler, and unfortunately much heavier, and thus deemed inappropriate for my young ears. I was limited to dance music for the next several years, and so Haddaway, La Bouche, and Ace of Base were all I was allowed to experience for myself. Well they were a much cooler alternative than my mom's collection of Celine Dion, Gloria Estafan, and Lee Greenwood (that's right, the "God Bless the USA" guy, my brother made fun of me for listening to it, in a very patriotic fashion.). Then in the 5th grade I declared that I hated music and that it gave me a headache. No surprise, considering the options. Still, I would occasionally get a sneak listen in my brother or sister's cars or while they were in there rooms. Despite their attempts to keep me hard rock free, I quickly went back to the music I always loved when I was old enough to rebel a little.
I don't really remember a specific time when I heard Candlebox, I just remember wanting to listen to that "maybe" song. As time went by and napster made music more easily accessible, I soon downloaded Far Behind, and for whatever reason it just always reminded me of my siblings. They all listened to it and because of that it was part of my childhood, whether they wanted it to be or not. With all of them being at least five years older than me I guess they also, always left me far behind. Wow, that was lame.
Far Behind is one of those songs that has such a touching and dramatic theme to it, that even if it isn't something you can relate to, you're still drawn into it. Like Legends of the Fall, a sad bit of entertainment that you just can't stop watching. That's how the lyrics are for me, but again they don't leave me feeling sad because the song is very nostalgic for me, but still the song makes you feel something. That something, whatever it is, is awesome.
Now maybe
I didn't mean to treat you bad
But I did it anyway
And now maybe
Some would say your life was sad
But you lived it anyway
And so maybe
Your friends they stand around they watch your crumble
As you falter to the ground
And then someday
Your friends they stand beside as you were flying
Oh you were flying oh so high
But then someday people look at you for what they call their own
They watch you suffer
Yeah they hear you calling home
But then some day we could take our time
To brush the leaves aside so you can reach us
But you left me far behind
Now maybe
I didn't mean to treat you oh so bad
But I did it anyway
Now maybe some would say you're left with what you had
But you couldn't share the pain
No, no, no
Couldn't share the pain, they watch you suffer
Now maybe I could have made my own mistakes
But I live with what I've known
And then maybe we might share in something great
But won't you look at where we've grown
Won't you look at where we've gone
But then someday comes tomorrow holds a sense of what I feel for you in my mind
As you trip the final line
And that cold day when you lost control
Shame you left my life so soon you should have told me
But you left me far behind
Now maybe I didn't mean to treat you oh so bad
But I did it anyway
Now maybe some would say you're left with what you had
But you couldn't share the pain
No, no, no
Oh no
Oh no no no no...
Now maybe I didn't mean to treat you oh so bad
But I did it anyway
Now maybe some would say you're left with what you had
But you couldn't share the pain
I said times have changed your friends
They come and watch you crumble to the ground
They watch you suffer
Yeah, they hold you down
Hold you down
Now maybe brother, maybe love
I didn't mean to treat you bad
But you left me far behind
Left me far behind
Left me far Behind
Artist: Candlebox
Album: Candlebox
Released: July 1993
Far Behind makes this list for a couple reasons I suppose. I think the biggest reason, besides it being an absolute classic, is that it reminds me of my siblings. None of them committed suicide, as the lyrics suggest, thankfully but they all liked it. I remember first seeing the cover on a cassette tape in my oldest sister's car (which I would later drive and total, ha ha) which, as was family tradition, equipped with a rockin' system. It was, for me anyway, that period when hair bands were being replaced by grunge bands. When I was about 7 I was so into bands like Def Leopard, Firehouse, Warrant, and Metallica. Metallica is not and never was a hair band, I don't care what you say, they were an 80's band yest but if you have ears you can hear, they sound nothing like the other bands who sporting long hair. That's another story entirely though. It all changed so quickly when my sisters and brother started toting home new music like Pearl Jam, Stone Temple Pilots, and Candlebox. This was much cooler, and unfortunately much heavier, and thus deemed inappropriate for my young ears. I was limited to dance music for the next several years, and so Haddaway, La Bouche, and Ace of Base were all I was allowed to experience for myself. Well they were a much cooler alternative than my mom's collection of Celine Dion, Gloria Estafan, and Lee Greenwood (that's right, the "God Bless the USA" guy, my brother made fun of me for listening to it, in a very patriotic fashion.). Then in the 5th grade I declared that I hated music and that it gave me a headache. No surprise, considering the options. Still, I would occasionally get a sneak listen in my brother or sister's cars or while they were in there rooms. Despite their attempts to keep me hard rock free, I quickly went back to the music I always loved when I was old enough to rebel a little.
I don't really remember a specific time when I heard Candlebox, I just remember wanting to listen to that "maybe" song. As time went by and napster made music more easily accessible, I soon downloaded Far Behind, and for whatever reason it just always reminded me of my siblings. They all listened to it and because of that it was part of my childhood, whether they wanted it to be or not. With all of them being at least five years older than me I guess they also, always left me far behind. Wow, that was lame.
Far Behind is one of those songs that has such a touching and dramatic theme to it, that even if it isn't something you can relate to, you're still drawn into it. Like Legends of the Fall, a sad bit of entertainment that you just can't stop watching. That's how the lyrics are for me, but again they don't leave me feeling sad because the song is very nostalgic for me, but still the song makes you feel something. That something, whatever it is, is awesome.
Now maybe
I didn't mean to treat you bad
But I did it anyway
And now maybe
Some would say your life was sad
But you lived it anyway
And so maybe
Your friends they stand around they watch your crumble
As you falter to the ground
And then someday
Your friends they stand beside as you were flying
Oh you were flying oh so high
But then someday people look at you for what they call their own
They watch you suffer
Yeah they hear you calling home
But then some day we could take our time
To brush the leaves aside so you can reach us
But you left me far behind
Now maybe
I didn't mean to treat you oh so bad
But I did it anyway
Now maybe some would say you're left with what you had
But you couldn't share the pain
No, no, no
Couldn't share the pain, they watch you suffer
Now maybe I could have made my own mistakes
But I live with what I've known
And then maybe we might share in something great
But won't you look at where we've grown
Won't you look at where we've gone
But then someday comes tomorrow holds a sense of what I feel for you in my mind
As you trip the final line
And that cold day when you lost control
Shame you left my life so soon you should have told me
But you left me far behind
Now maybe I didn't mean to treat you oh so bad
But I did it anyway
Now maybe some would say you're left with what you had
But you couldn't share the pain
No, no, no
Oh no
Oh no no no no...
Now maybe I didn't mean to treat you oh so bad
But I did it anyway
Now maybe some would say you're left with what you had
But you couldn't share the pain
I said times have changed your friends
They come and watch you crumble to the ground
They watch you suffer
Yeah, they hold you down
Hold you down
Now maybe brother, maybe love
I didn't mean to treat you bad
But you left me far behind
Left me far behind
Left me far Behind
Monday, February 7, 2011
Let It Go
Song: Let It Go
Artist: Blue October
Album: Foiled
Released: April 2006
Ah, sadness why does it sound so good? Probably because Blue October is singing it. Let it go is, to me anyway, a song about regret. It might be the only way I have seen regret portrayed beautifully. This is the first song on this list that I have changed. I originally had "Hate Me" (also by Blue October) in this spot, but I think I had it there mainly because I overplay "Let It Go". I have always liked "Let It Go" more than "Hate Me", so it made sense to fix this list even though it isn't on the cd set I burned to accommodate my top 100. Again, there's the reason I called it an attempt.
"Let It Go", begins with a guitar and violin softly setting the back drop for our regret soaked, sad song. The song progresses with awesome subtlties such as the violin being strummed like a mandolin, that crescendos into the first verse and remains throughout the song, and the clang of an electric guitar throughout this primarily acoustic song. A piano accents the chorus, which effectively drives you to feel the deep level emotion of the song. The lyrics of the second verse take the feeling to a whole new place at "follow me home, through the maze and on. I'll show you the road that I led you the wrong way on". How many of us can remember a time when we led someone we hold dear into a place they never should have been? If you can't, when you listen to this song, you'll almost wish you had, just so you can relate to the beauty of the song. The song again escalates with the second chorus, Furstenfeld adds anger through a growl as he sings, "Why did I go that way?", then an honest yearning for truth as he softens on "Why do I steal?" and finally complete sadness as he simply asks himself "Why?". Let It Go soars on from this point, on the notes of a harmonica, whose melody is carried on by the violin to its conclusion, while being infused with Furstenfeld's angry, regretful, and self-incriminating questions.
The song is important to me for a number of reasons, it is beautifully written, and played, and it is way fun to sing. But mainly because it reminds me of a harder time, when my wife and I were first married. That sounds strange, I know.We had an enormous struggle, and I would listen to it and ask myself all of these questions; I would ask myself "why?" and I would feel guilty, but somehow confronting those questions made me search for answers, and that helped. As we worked through things the song took on a different meaning, now it serves as a reminder of how close I came to really letting her go, and now I ask myself "how could I let her go?" as in "how could I" have ever felt the way I did, to make me feel like I was "stealing" from her. It reminds me not to take anything for granted, and that as a human, I am subject harm if I put myself in harm's way. I apologize for all of the vagueness, but the subject is too personal to be very specific about. Let It Go reminds me of how close I came to losing everything that I hold dear, and the joy that came from overcoming my own weakness.
Where do you go
When the day is long
And where does your heart beat
And who is wrong
Why do I feel this way
Why do I kneel
How could I let it go
Why do I feel
Why do I feel
Why
Follow me home
Through the, the maze and on
I'll show you the road
That I led you the wrong way on
Why did I go that way
Why do I steal
How could I let her go
Why do I feel
Oh why did I go that way
Why do I steal
How could I let her go
Why do I feel
Why do I feel
Why
Why
Why did I go that way
Why do I need
How could I let her go
Why do I feel
Oh why did I go that way
How could I steal
Oh how could I
How could I
How could I
How could I
How could I
Artist: Blue October
Album: Foiled
Released: April 2006
Ah, sadness why does it sound so good? Probably because Blue October is singing it. Let it go is, to me anyway, a song about regret. It might be the only way I have seen regret portrayed beautifully. This is the first song on this list that I have changed. I originally had "Hate Me" (also by Blue October) in this spot, but I think I had it there mainly because I overplay "Let It Go". I have always liked "Let It Go" more than "Hate Me", so it made sense to fix this list even though it isn't on the cd set I burned to accommodate my top 100. Again, there's the reason I called it an attempt.
"Let It Go", begins with a guitar and violin softly setting the back drop for our regret soaked, sad song. The song progresses with awesome subtlties such as the violin being strummed like a mandolin, that crescendos into the first verse and remains throughout the song, and the clang of an electric guitar throughout this primarily acoustic song. A piano accents the chorus, which effectively drives you to feel the deep level emotion of the song. The lyrics of the second verse take the feeling to a whole new place at "follow me home, through the maze and on. I'll show you the road that I led you the wrong way on". How many of us can remember a time when we led someone we hold dear into a place they never should have been? If you can't, when you listen to this song, you'll almost wish you had, just so you can relate to the beauty of the song. The song again escalates with the second chorus, Furstenfeld adds anger through a growl as he sings, "Why did I go that way?", then an honest yearning for truth as he softens on "Why do I steal?" and finally complete sadness as he simply asks himself "Why?". Let It Go soars on from this point, on the notes of a harmonica, whose melody is carried on by the violin to its conclusion, while being infused with Furstenfeld's angry, regretful, and self-incriminating questions.
The song is important to me for a number of reasons, it is beautifully written, and played, and it is way fun to sing. But mainly because it reminds me of a harder time, when my wife and I were first married. That sounds strange, I know.We had an enormous struggle, and I would listen to it and ask myself all of these questions; I would ask myself "why?" and I would feel guilty, but somehow confronting those questions made me search for answers, and that helped. As we worked through things the song took on a different meaning, now it serves as a reminder of how close I came to really letting her go, and now I ask myself "how could I let her go?" as in "how could I" have ever felt the way I did, to make me feel like I was "stealing" from her. It reminds me not to take anything for granted, and that as a human, I am subject harm if I put myself in harm's way. I apologize for all of the vagueness, but the subject is too personal to be very specific about. Let It Go reminds me of how close I came to losing everything that I hold dear, and the joy that came from overcoming my own weakness.
Where do you go
When the day is long
And where does your heart beat
And who is wrong
Why do I feel this way
Why do I kneel
How could I let it go
Why do I feel
Why do I feel
Why
Follow me home
Through the, the maze and on
I'll show you the road
That I led you the wrong way on
Why did I go that way
Why do I steal
How could I let her go
Why do I feel
Oh why did I go that way
Why do I steal
How could I let her go
Why do I feel
Why do I feel
Why
Why
Why did I go that way
Why do I need
How could I let her go
Why do I feel
Oh why did I go that way
How could I steal
Oh how could I
How could I
How could I
How could I
How could I
Sunday, January 30, 2011
Frank Sinatra
Song: Frank Sinatra
Artist: Cake
Album: Fashion Nugget
Released: September 1996
Well first off, the song is called Frank Sinatra, if you haven't heard it before, the title alone should give you a clue as to how awesome the song is. Frank Sinatra has no particular personal meaning to me lyrics wise (they are however spectacularly written),but it is more of reminiscence thing. I remember my brother showed "the distance" (another song of the same album) to me while I was playing a computer game called "Lords of the Realm II". I will never forget the moment I discovered Cake. Why on earth would you name a band Cake? Well the sound was definitely something different than anything I had ever heard before. It was fresh, but kinda old sounding, it wasn't rock but then it kind of was, it was weird, but in a good way. Whatever it was, it was freakin' cool, and even my young 7th grade musical palette could figure that out. Fashion Nugget soon became a staple of my 7-10 disc rotation. When I was privileged enough to ride in my brother's blue Chevy S-10 with the rockin' system, Cake was a regular request. Fashion Nugget as a whole was an album that has remained on my frequently played list, mainly because it is just so cool. It's hard to explain, it just makes you feel like...dare I say Frank Sinatra? Yes I do.
Also it seems an appropriate time to tell you that I love to sing, and I love singing along to Cake. Now when I sing I usually am not satisfied with the softly sung melody, weaving in out of falsetto for the high parts, that most people indulge in. I crank the volume up and I belt it out like I'm performing at my very own concert. Yes, I am that guy at the stop light singing at the top of his lungs, that you and your friends stare and laugh at. Don't worry about it though, its cool, I laugh at people like me too. After all I am 26 and still singing to the steering wheel, full throttle. The point of this long explanation is that I love singing along to this song. Yes, it was a huge factor in Frank Sinatra's ranking, and really, it is for a lot of the songs you will see on this countdown.
This song is also my wife's favorite song off the album, and honestly, we both love to rock out to it in the car. Before we had our son, we could turn the volume up and I would sing slash drum the beat on the steering wheel, while she danced. My wife is a dancer at heart, she also sometimes rocks the backup vocals. This scenario played out many times on our way to go shopping or pick up a movie or even to pickup groceries. Ah, good times.
To be quite honest, I don't have it in me to critique the actual music tonight. Suffice it to say that the drums drive the song perfectly, the organ is a very nice touch, and the guitar is suttle but right on. The trumpet also adds very nice overtones through out. I hope you take the time to watch the video at the top of the list as it is done quite well. Enjoy feeling awesome while you listen/watch.
We know of an ancient radiation
That haunts dismembered constellations,
A faintly glimmering radio station.
While Frank Sinatra sings Stormy Weather,
The flies and spiders get along together,
Cobwebs fall on an old skipping record.
Beyond the suns that guard this roof,
Beyond your flowers of flaming truths,
Beyond your latest ad campaigns,
An old man sits collecting stamps
In a room all filled with Chinese lamps.
He saves what others throw away.
He says that he'll be rich some day.
We know of an ancient radiation
That haunts dismembered constellations,
A faintly glimmering radio station.
We know of an ancient radiation
That haunts dismembered constellations,
A faintly glimmering radio station.
While Frank Sinatra sings Stormy Weather,
The flies and spiders get along together,
Cobwebs fall on an old skipping record.
Artist: Cake
Album: Fashion Nugget
Released: September 1996
Well first off, the song is called Frank Sinatra, if you haven't heard it before, the title alone should give you a clue as to how awesome the song is. Frank Sinatra has no particular personal meaning to me lyrics wise (they are however spectacularly written),but it is more of reminiscence thing. I remember my brother showed "the distance" (another song of the same album) to me while I was playing a computer game called "Lords of the Realm II". I will never forget the moment I discovered Cake. Why on earth would you name a band Cake? Well the sound was definitely something different than anything I had ever heard before. It was fresh, but kinda old sounding, it wasn't rock but then it kind of was, it was weird, but in a good way. Whatever it was, it was freakin' cool, and even my young 7th grade musical palette could figure that out. Fashion Nugget soon became a staple of my 7-10 disc rotation. When I was privileged enough to ride in my brother's blue Chevy S-10 with the rockin' system, Cake was a regular request. Fashion Nugget as a whole was an album that has remained on my frequently played list, mainly because it is just so cool. It's hard to explain, it just makes you feel like...dare I say Frank Sinatra? Yes I do.
Also it seems an appropriate time to tell you that I love to sing, and I love singing along to Cake. Now when I sing I usually am not satisfied with the softly sung melody, weaving in out of falsetto for the high parts, that most people indulge in. I crank the volume up and I belt it out like I'm performing at my very own concert. Yes, I am that guy at the stop light singing at the top of his lungs, that you and your friends stare and laugh at. Don't worry about it though, its cool, I laugh at people like me too. After all I am 26 and still singing to the steering wheel, full throttle. The point of this long explanation is that I love singing along to this song. Yes, it was a huge factor in Frank Sinatra's ranking, and really, it is for a lot of the songs you will see on this countdown.
This song is also my wife's favorite song off the album, and honestly, we both love to rock out to it in the car. Before we had our son, we could turn the volume up and I would sing slash drum the beat on the steering wheel, while she danced. My wife is a dancer at heart, she also sometimes rocks the backup vocals. This scenario played out many times on our way to go shopping or pick up a movie or even to pickup groceries. Ah, good times.
To be quite honest, I don't have it in me to critique the actual music tonight. Suffice it to say that the drums drive the song perfectly, the organ is a very nice touch, and the guitar is suttle but right on. The trumpet also adds very nice overtones through out. I hope you take the time to watch the video at the top of the list as it is done quite well. Enjoy feeling awesome while you listen/watch.
We know of an ancient radiation
That haunts dismembered constellations,
A faintly glimmering radio station.
While Frank Sinatra sings Stormy Weather,
The flies and spiders get along together,
Cobwebs fall on an old skipping record.
Beyond the suns that guard this roof,
Beyond your flowers of flaming truths,
Beyond your latest ad campaigns,
An old man sits collecting stamps
In a room all filled with Chinese lamps.
He saves what others throw away.
He says that he'll be rich some day.
We know of an ancient radiation
That haunts dismembered constellations,
A faintly glimmering radio station.
We know of an ancient radiation
That haunts dismembered constellations,
A faintly glimmering radio station.
While Frank Sinatra sings Stormy Weather,
The flies and spiders get along together,
Cobwebs fall on an old skipping record.
Saturday, January 15, 2011
Movin' On
Song: Movin' On
Artist: Default
Album: Elocation
Released: November 2003
Movin' On marks a fairly big event in my life. As is obvious in the lyrics, the song is about a break up. For me I can relate to nearly every word of the lyrics, because this was not just a break up, it was the break up of my life. I'm talking this was my first true love and all that sappy stuff, 5 years worth of sappiness. We had half our wedding planned before I ever left on my mission for the LDS church, picked names for our unborn children, appeared in each-other's family pictures, owned furniture and even a dog together; it was generally accepted by our families and friends that we were one couple that would make it through the two year (no contact save letters, mind you) wait. Movin' On doesn't en-capsule all of the emotions I felt, but it does capture some of them. So, I tell you the part of the story it fills.
About 6 months before I left for New England, I caught my girlfriend (of 3 1/2 years at that point) cheating on me. Now this was not cheating in the sense that she was sleeping or fooling around or anything, she had just kissed some loser a few times, and was planning on dating him. We both held our LDS values and so kissing was as far as we could go before marriage. So to me this was treason in the highest, and we both knew it. Well to make a long story short, after about 10 tumultuous days we decided to work it out and stay together. I think we'd both agree that it happened mainly because of my efforts, but she held up her part of the bargain by sticking to my ridiculously strict terms (which even her parents questioned) so I knew she was committed. I can't be sure, but I think this would come back to bite me hard later on. Over the holidays, our families spent Thanksgiving together, and we stayed at each-other's homes through Christmas and New Year's. I got this CD from her for Christmas that year as a matter of fact. By the end of the holidays things were as good as they had ever been and I had no doubt whatsoever that she would wait. On May 5, 2004 I entered the Missionary Training Center in Provo, UT. Three months later my mail from her stopped completely for 1 month, then resumed as if nothing had happened. 1 year later I found out why when letters again had stopped for another month. Needless to say my Augusts on the mission were worrisome. She had cheated again, this time it was much worse, it was cheating in everyone else's terms. That's why the mail stopped my first august, and that's apparently why it stopped again in my second august. So in the chorus when Dallas Smith sings "the last time I gave in, the next time I'm leaving" you can understand how it fits perfectly. I didn't pursue her when I got home, not because I couldn't forgive her again, or because I didn't care for her anymore. Quite the contrary, I thought I had buried all of my feelings for her during the last 6 months of the mission, but when I got home we spent a day together, and I realized that there was a lot left in the feelings bank "I miss the love that you've misplaced".
Her parents (whom I still love) asked me if I was thinking about trying to patch things up, and her father especially pushed for it. I told them though, that this time, if anything was going to happen, it would have to come from her. I forgave her, I still cared for her, but I couldn't trust her. I knew that if I didn't mean enough to her for her to stick her neck out and pursue me, and put in the work to make things happen, then it wouldn't be enough. It wouldn't have worked. I would've always be wondering/fearing if she was thinking about someone new. "Sharin' trust wore thin, I'm movin' on" that simple statement summed it all up for me.
The song starts out with a soft guitar and slow beat. It sets a very laid back feeling, almost like a chilling out song, but builds towards a valiantly trudging chorus. It gives me the closest thing to closure that I have on the subject matter. The way the guitars are played you get the sense of something extremely difficult, but also an overwhelming calm, that everything is going to be alright. I see this most clearly in the bridge "you pushed me off, you pushed me off, your secrets out. Don't pick me up, don't pick me up, I'll climb out". Even though the event that you feared the most in life has come to pass, there is still a light shining for you somewhere. You just have to be strong enough to find it.
To take not give your only way
You used up all I have each day
Whispers of where your head has laid
It's hard to ignore all the things that they say
The last time I give in
The next time I'm leaving
Sharin' trust wore thin
I'm movin' on
Each time you say you'll be home late
I pray to God that you'll behave
I miss the love that you've misplaced
My love not something to be played with
The last time I give in
The next time I'm leaving
Sharin' trust wore thin
I'm movin' on
You pushed me off
You pushed me off your secrets out
Don't pick me up
Don't pick me up
I'll climb out
The last time I give in
The next time I'm leaving
Sharin' trust wore thin
I'm movin' on
Artist: Default
Album: Elocation
Released: November 2003
Movin' On marks a fairly big event in my life. As is obvious in the lyrics, the song is about a break up. For me I can relate to nearly every word of the lyrics, because this was not just a break up, it was the break up of my life. I'm talking this was my first true love and all that sappy stuff, 5 years worth of sappiness. We had half our wedding planned before I ever left on my mission for the LDS church, picked names for our unborn children, appeared in each-other's family pictures, owned furniture and even a dog together; it was generally accepted by our families and friends that we were one couple that would make it through the two year (no contact save letters, mind you) wait. Movin' On doesn't en-capsule all of the emotions I felt, but it does capture some of them. So, I tell you the part of the story it fills.
About 6 months before I left for New England, I caught my girlfriend (of 3 1/2 years at that point) cheating on me. Now this was not cheating in the sense that she was sleeping or fooling around or anything, she had just kissed some loser a few times, and was planning on dating him. We both held our LDS values and so kissing was as far as we could go before marriage. So to me this was treason in the highest, and we both knew it. Well to make a long story short, after about 10 tumultuous days we decided to work it out and stay together. I think we'd both agree that it happened mainly because of my efforts, but she held up her part of the bargain by sticking to my ridiculously strict terms (which even her parents questioned) so I knew she was committed. I can't be sure, but I think this would come back to bite me hard later on. Over the holidays, our families spent Thanksgiving together, and we stayed at each-other's homes through Christmas and New Year's. I got this CD from her for Christmas that year as a matter of fact. By the end of the holidays things were as good as they had ever been and I had no doubt whatsoever that she would wait. On May 5, 2004 I entered the Missionary Training Center in Provo, UT. Three months later my mail from her stopped completely for 1 month, then resumed as if nothing had happened. 1 year later I found out why when letters again had stopped for another month. Needless to say my Augusts on the mission were worrisome. She had cheated again, this time it was much worse, it was cheating in everyone else's terms. That's why the mail stopped my first august, and that's apparently why it stopped again in my second august. So in the chorus when Dallas Smith sings "the last time I gave in, the next time I'm leaving" you can understand how it fits perfectly. I didn't pursue her when I got home, not because I couldn't forgive her again, or because I didn't care for her anymore. Quite the contrary, I thought I had buried all of my feelings for her during the last 6 months of the mission, but when I got home we spent a day together, and I realized that there was a lot left in the feelings bank "I miss the love that you've misplaced".
Her parents (whom I still love) asked me if I was thinking about trying to patch things up, and her father especially pushed for it. I told them though, that this time, if anything was going to happen, it would have to come from her. I forgave her, I still cared for her, but I couldn't trust her. I knew that if I didn't mean enough to her for her to stick her neck out and pursue me, and put in the work to make things happen, then it wouldn't be enough. It wouldn't have worked. I would've always be wondering/fearing if she was thinking about someone new. "Sharin' trust wore thin, I'm movin' on" that simple statement summed it all up for me.
The song starts out with a soft guitar and slow beat. It sets a very laid back feeling, almost like a chilling out song, but builds towards a valiantly trudging chorus. It gives me the closest thing to closure that I have on the subject matter. The way the guitars are played you get the sense of something extremely difficult, but also an overwhelming calm, that everything is going to be alright. I see this most clearly in the bridge "you pushed me off, you pushed me off, your secrets out. Don't pick me up, don't pick me up, I'll climb out". Even though the event that you feared the most in life has come to pass, there is still a light shining for you somewhere. You just have to be strong enough to find it.
To take not give your only way
You used up all I have each day
Whispers of where your head has laid
It's hard to ignore all the things that they say
The last time I give in
The next time I'm leaving
Sharin' trust wore thin
I'm movin' on
Each time you say you'll be home late
I pray to God that you'll behave
I miss the love that you've misplaced
My love not something to be played with
The last time I give in
The next time I'm leaving
Sharin' trust wore thin
I'm movin' on
You pushed me off
You pushed me off your secrets out
Don't pick me up
Don't pick me up
I'll climb out
The last time I give in
The next time I'm leaving
Sharin' trust wore thin
I'm movin' on
Friday, January 7, 2011
Turn My Head
Song: Turn My Head
Artist: Live
Album: Secret Samadhi
Released: February 1997
Alright the first thing yo need to know is that Live is my favorite band, I mean head and shoulders above the rest, it isn't even difficult for me to decide that. It was hard to not include 10+ songs of theirs on this list. But I'm not sure that I made the right choice with Turn My Head, with all the other great songs they have. When I made the list I tried to do it on a "which would I rather listen to" basis and there are probably two or three other songs on that album that I would rather listen to. So hear we are 4 songs into the countdown and screw up number one is revealed.
Oh well, Turn My Head is a great song. The reason for my liking Turn My Head so much has a lot to do with why I like Live. The band is so versatile. On their first album (Mental Jewelry) they were kind of an indie rock, philosophical, slash a little weird, kind of young band. It's an album that takes some getting used to, especially if your first exposure to the band was Throwing Copper (the greatest album of all time, hands down), as was my experience. Then on Throwing Copper they really blossomed into a band that could flat out blow the doors off with rock, or move you with mid tempo to slow softer tunes. Throwing Copper is a journey that showcases all the best parts of Live. Secret Samadhi was, by a lot of accounts, fallout of the mega success the band experienced for two plus years during the Throwing Copper days. Ed Kowalczyk (lead singer/song writer) himself said "Secret Samadhi is the sound of full retreat, yet not out of fear but necessity. I was only 25 and already half-eaten by the monster of show-business. We were spiraling and spinning into the hell of cultural acceptance; we were successful! Something had to be done! We'll make a record that dances, explodes and swirls all around, and it shall be about 'nothing'". I hardly think the album is about nothing, there are clear re-occurring themes about self destruction, both on a personal level and as a society, but that's a different discussion entirely. Still the album hit number one the billboards, produced number one and number three singles, and had a Grammy nominated video. Still to me Secret Samadhi is a close second best on the band's resume of albums. It is even more diverse than Throwing Copper, or any of their other albums, both lyrically and musically. The album's songs range from brooding, exploding, enraged, to satirical, regretful, love smitten, melancholy, and finally proverbial.
Turn My Head is, I believe, Live's first real love song. Honestly I never really connected to it in a big way until recently. My brother always loved it and demanded that we listen to it every time I put the cd in his truck deck. To me it was always just kind of a sad sounding song, that lacked the signature freak out that I love in Live's earlier songs. These freak outs often occur in the bridge, being punctuated with a wooo!, yeah!, or these kind of primal rising screams, that Ed had once mastered. Turn My Head on the other hand show cases. for the first time, the more tender side of the band. The song starts out with a clean picking guitar, after the first measure the bass comes in gently laying the rhythmic foundation (which is perfect by the way), quickly followed by the drums. Chad Gracey (drummer) in my opinion is the most underrated piece of the band, he is simply amazing. Ed's vocal on this song is tremendous, it is the first song that he uses his falsetto as a major part of the song, and it works magically. That's the kind of thing that didn't fit my musical pallet at 13 or 14, but now I can fully appreciate. The lyrics of the song skip a long Ed's personal feelings like a flat stone on calm water, keeping the real meaning private, but still public enough to allow the listener to claim full ownership of the emotion behind it. You can kind of fill in the blanks, and that's what I like about it. I love Ed's choice of words in this not so wordy song. You feel that this person is mysterious, but completely captivating in his use of keep it whispy, I've fallen down, drunk on your juices. She's delicate, and vulnerable, but she's so pure and intoxicating that she's tamed him to where he will bow because of the power her attraction has over him. This is, hopefully, the same way all men feel for their significant others. While Turn My Head isn't a song that I would term as one "our songs" (my wife and I's), it is a song that makes me think of my wife, and it is just plain, an awesome love song. In my library those are actually kind of hard to find. The song peaks at the bridge (Live are the masters of the bridge) which flows into a great little guitar solo which carries the song into a gentle finale capped by one more coo of falsetto by Ed. Great song folks, maybe it does belong on my 100 after all.
anyone, caught in your mystery
keep it angry
keep it whispy
i've fallen down
drunk on your juices
.
turn my head
turn my head
it's aimed at you
.
funky temple
your dress is torn to shreds
your eyes are crazy
i bowed to save my head and
i can't forget you
but i can remember
.
turn my head
turn my head
it's aimed at you
.
oh no,
we came to love you all day
these bastards are leavin'
somebody's got to stay
whatever we called you
it's just a name
just a name
Artist: Live
Album: Secret Samadhi
Released: February 1997
Alright the first thing yo need to know is that Live is my favorite band, I mean head and shoulders above the rest, it isn't even difficult for me to decide that. It was hard to not include 10+ songs of theirs on this list. But I'm not sure that I made the right choice with Turn My Head, with all the other great songs they have. When I made the list I tried to do it on a "which would I rather listen to" basis and there are probably two or three other songs on that album that I would rather listen to. So hear we are 4 songs into the countdown and screw up number one is revealed.
Oh well, Turn My Head is a great song. The reason for my liking Turn My Head so much has a lot to do with why I like Live. The band is so versatile. On their first album (Mental Jewelry) they were kind of an indie rock, philosophical, slash a little weird, kind of young band. It's an album that takes some getting used to, especially if your first exposure to the band was Throwing Copper (the greatest album of all time, hands down), as was my experience. Then on Throwing Copper they really blossomed into a band that could flat out blow the doors off with rock, or move you with mid tempo to slow softer tunes. Throwing Copper is a journey that showcases all the best parts of Live. Secret Samadhi was, by a lot of accounts, fallout of the mega success the band experienced for two plus years during the Throwing Copper days. Ed Kowalczyk (lead singer/song writer) himself said "Secret Samadhi is the sound of full retreat, yet not out of fear but necessity. I was only 25 and already half-eaten by the monster of show-business. We were spiraling and spinning into the hell of cultural acceptance; we were successful! Something had to be done! We'll make a record that dances, explodes and swirls all around, and it shall be about 'nothing'". I hardly think the album is about nothing, there are clear re-occurring themes about self destruction, both on a personal level and as a society, but that's a different discussion entirely. Still the album hit number one the billboards, produced number one and number three singles, and had a Grammy nominated video. Still to me Secret Samadhi is a close second best on the band's resume of albums. It is even more diverse than Throwing Copper, or any of their other albums, both lyrically and musically. The album's songs range from brooding, exploding, enraged, to satirical, regretful, love smitten, melancholy, and finally proverbial.
Turn My Head is, I believe, Live's first real love song. Honestly I never really connected to it in a big way until recently. My brother always loved it and demanded that we listen to it every time I put the cd in his truck deck. To me it was always just kind of a sad sounding song, that lacked the signature freak out that I love in Live's earlier songs. These freak outs often occur in the bridge, being punctuated with a wooo!, yeah!, or these kind of primal rising screams, that Ed had once mastered. Turn My Head on the other hand show cases. for the first time, the more tender side of the band. The song starts out with a clean picking guitar, after the first measure the bass comes in gently laying the rhythmic foundation (which is perfect by the way), quickly followed by the drums. Chad Gracey (drummer) in my opinion is the most underrated piece of the band, he is simply amazing. Ed's vocal on this song is tremendous, it is the first song that he uses his falsetto as a major part of the song, and it works magically. That's the kind of thing that didn't fit my musical pallet at 13 or 14, but now I can fully appreciate. The lyrics of the song skip a long Ed's personal feelings like a flat stone on calm water, keeping the real meaning private, but still public enough to allow the listener to claim full ownership of the emotion behind it. You can kind of fill in the blanks, and that's what I like about it. I love Ed's choice of words in this not so wordy song. You feel that this person is mysterious, but completely captivating in his use of keep it whispy, I've fallen down, drunk on your juices. She's delicate, and vulnerable, but she's so pure and intoxicating that she's tamed him to where he will bow because of the power her attraction has over him. This is, hopefully, the same way all men feel for their significant others. While Turn My Head isn't a song that I would term as one "our songs" (my wife and I's), it is a song that makes me think of my wife, and it is just plain, an awesome love song. In my library those are actually kind of hard to find. The song peaks at the bridge (Live are the masters of the bridge) which flows into a great little guitar solo which carries the song into a gentle finale capped by one more coo of falsetto by Ed. Great song folks, maybe it does belong on my 100 after all.
anyone, caught in your mystery
keep it angry
keep it whispy
i've fallen down
drunk on your juices
.
turn my head
turn my head
it's aimed at you
.
funky temple
your dress is torn to shreds
your eyes are crazy
i bowed to save my head and
i can't forget you
but i can remember
.
turn my head
turn my head
it's aimed at you
.
oh no,
we came to love you all day
these bastards are leavin'
somebody's got to stay
whatever we called you
it's just a name
just a name
Saturday, December 25, 2010
Your Disease
Song: Your Disease
Artist: Saliva
Album: Every Six Seconds
Released: March 2001
Say what you like about rap-rock/metal, but this song is a classic. Sure it isn't a genre that we will look back on and say, "wow, music was at the top of its game back then". The genre as a whole is probably as opposite of timeless as you can get, and bands that were part of it, that still record music, have put forth great effort to remove themselves from it. Linkin Park is probably the only relevant band still standing that does anything of the sort, but even then it is so far removed from what I would deem as rap-rock/metal that it hardly counts. Mostly they have rap songs on rock albums. Still it remains a part of rock history and while I didn't really subscribe to a lot of it I was a fan of a small multitude of songs of the genre. In my opinion it was showcased best by Saliva, and there best was Your Disease. Some would say Rage Against the Machine or Limp Bizkit, and while the musicianship of Rage is probably better Zach De La Rocha (Rage Against the Machine vocalist) cannot sing, while Josey Scott (Saliva lead singer) can; and Limp Bizkit, is.... well there's not much to say is there? Plus I think Saliva has deeper rock roots than any of their contemporaries and that is more appealing to me personally.
If I had to sum this song up in two words, they would be epic "huah". "Huahs" are a great rock tool, but they don't find themselves in many rock songs these days, which is a pitty because they are so good for building energy and just adding to the overall coolness of the song. No "huah" was ever expressed better than Josey Scott's at the beginning of Your Disease. The verses may be rapped, but make no mistake this is purely a rock song. I have to admit that I never have paid much attention to the lyrics of this song, and I have never really tried to figure out any kind of meaning for it. I don't think will ever try, because I like it for what it is, a great rock song. I have selected it as the opening song for several compilation cd's that I intend to start a road trip off with or that I will listen to while exercising. It just has an energy to it that just makes you want to move to the music, or get up and do something. It's a very empowering song, and it's also a great celebration song. Celebration, that is the reason it makes my top 100.
Those of you who know me, know that I love football. Since I was 5 years old and my brother introduced me to the sport through the video game Tecmo Bowl, I have loved the sport in a manner that borders on worship. And so it was my luck to play on a team that never won a game in middle school, or on varsity through the first three years of high school. We won a couple games on JV my sophmore year, but I didn't count those because I was starting on Varsity by that point. Now this tradition of losing on varsity was one that dated back 5 years. So as fate would have it in my senior year the first week of the season was scheduled to be our homecoming night, which we felt did not bode well for a win, since our homecoming losing streak exceeded the length of our overall losing streak. For whatever reason whoever was in charge of our schedule felt that it would be a good idea if our most challenging game of the year, land on homecoming weekend. This particular year we were playing Dubois, a team none of us knew anything about and that our school had never played, that we could remember. So as far as we knew Dubois could be a contender for that state championship.
When Dubois took the field, we were delighted to see that they were actually our size. Almost every team we played in years past, and later that year, dwarfed us in size. We were not known for our physical size, but we played hard, it just usually wasn't enough to win. As the game began play we found that we were evenly matched but still we fell behind in the first half of the game, and much of the team began to feel that old "here we go again" sensation. There were those of us who refused to give up though, and while it was 12-0 in the second quarter we mounted a long scoring drive that closed out the quarter. Going into the second half we had momentum on our side, but that quickly went out the window when Dubois scored again, putting us at a 12 point deficit once more. Going into the 4th qtr. the score was 18-6 and Dubois was driving on us. Our defense forced a key turnover upon which we quickly scored. After kickoff our defense held strong forced a punt and then our offense made a long march down the field for a score. making the game 18-19. On Dubois' next possession, our defense forced another turnover, and on our first play on that series we scored on a reverse pass. To put the game farther out of reach we went for two and scored, making the game a two possession game. Dubois 18, My team 27. There was two minutes left, and all we needed to do was hold on defense. After allowing one more first down, we forced them out, giving us the schools first varsity win in over 5 years. It was one of the most glorious moments of my life. We celebrated like we had never won before, well because we never really had. In preparation for this moment we had high jacked one of my friends' home stereo systems so that we could fill the whole room with sound. I was one of the last to leave the field, and as I came to the locker room door I could hear Your Disease starting to play. As I opened the door Josey Scott wailed "Huah!" and the room filled with the blast of the guitars, screams, and tears of celebration. Pure Glory. It was a night I will never forget, and Your Disease has frozen that in time for me.
In one moment I'm goin' all the way
I make my poetry everyday
And I'm frozen comin' right on time
I froze my mind with that serious rhyme
And I'm open comin' up inside
You know, my mind has got a grand design
And I'm flowin', goin' all the way
I make my point to be everyday, come on
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
My mind's broken, I'm goin' up in smoke
If you breathe my toke I'm guaranteein' you choke
And I'm chosen to testify the masses
Wear dark glasses like the cops in Texas
All knowin' it's not a premonition
Kill the competition like a man on a mission
I'm blowin', comin' up inside like the Bee Gees cry
I'm just stayin' alive, come on
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
So now I'm finally goin' down
Can I find my way back home?
Now there's no one else around
Can I find my way back home?
Will I ever see the light
Even though I'm fallin'?
(Will there ever be any peace for me)
Even though I'm falling
(Will there ever be any peace for me)
Even though I'm falling
(Will there ever be any peace for me)
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
Artist: Saliva
Album: Every Six Seconds
Released: March 2001
Say what you like about rap-rock/metal, but this song is a classic. Sure it isn't a genre that we will look back on and say, "wow, music was at the top of its game back then". The genre as a whole is probably as opposite of timeless as you can get, and bands that were part of it, that still record music, have put forth great effort to remove themselves from it. Linkin Park is probably the only relevant band still standing that does anything of the sort, but even then it is so far removed from what I would deem as rap-rock/metal that it hardly counts. Mostly they have rap songs on rock albums. Still it remains a part of rock history and while I didn't really subscribe to a lot of it I was a fan of a small multitude of songs of the genre. In my opinion it was showcased best by Saliva, and there best was Your Disease. Some would say Rage Against the Machine or Limp Bizkit, and while the musicianship of Rage is probably better Zach De La Rocha (Rage Against the Machine vocalist) cannot sing, while Josey Scott (Saliva lead singer) can; and Limp Bizkit, is.... well there's not much to say is there? Plus I think Saliva has deeper rock roots than any of their contemporaries and that is more appealing to me personally.
If I had to sum this song up in two words, they would be epic "huah". "Huahs" are a great rock tool, but they don't find themselves in many rock songs these days, which is a pitty because they are so good for building energy and just adding to the overall coolness of the song. No "huah" was ever expressed better than Josey Scott's at the beginning of Your Disease. The verses may be rapped, but make no mistake this is purely a rock song. I have to admit that I never have paid much attention to the lyrics of this song, and I have never really tried to figure out any kind of meaning for it. I don't think will ever try, because I like it for what it is, a great rock song. I have selected it as the opening song for several compilation cd's that I intend to start a road trip off with or that I will listen to while exercising. It just has an energy to it that just makes you want to move to the music, or get up and do something. It's a very empowering song, and it's also a great celebration song. Celebration, that is the reason it makes my top 100.
Those of you who know me, know that I love football. Since I was 5 years old and my brother introduced me to the sport through the video game Tecmo Bowl, I have loved the sport in a manner that borders on worship. And so it was my luck to play on a team that never won a game in middle school, or on varsity through the first three years of high school. We won a couple games on JV my sophmore year, but I didn't count those because I was starting on Varsity by that point. Now this tradition of losing on varsity was one that dated back 5 years. So as fate would have it in my senior year the first week of the season was scheduled to be our homecoming night, which we felt did not bode well for a win, since our homecoming losing streak exceeded the length of our overall losing streak. For whatever reason whoever was in charge of our schedule felt that it would be a good idea if our most challenging game of the year, land on homecoming weekend. This particular year we were playing Dubois, a team none of us knew anything about and that our school had never played, that we could remember. So as far as we knew Dubois could be a contender for that state championship.
When Dubois took the field, we were delighted to see that they were actually our size. Almost every team we played in years past, and later that year, dwarfed us in size. We were not known for our physical size, but we played hard, it just usually wasn't enough to win. As the game began play we found that we were evenly matched but still we fell behind in the first half of the game, and much of the team began to feel that old "here we go again" sensation. There were those of us who refused to give up though, and while it was 12-0 in the second quarter we mounted a long scoring drive that closed out the quarter. Going into the second half we had momentum on our side, but that quickly went out the window when Dubois scored again, putting us at a 12 point deficit once more. Going into the 4th qtr. the score was 18-6 and Dubois was driving on us. Our defense forced a key turnover upon which we quickly scored. After kickoff our defense held strong forced a punt and then our offense made a long march down the field for a score. making the game 18-19. On Dubois' next possession, our defense forced another turnover, and on our first play on that series we scored on a reverse pass. To put the game farther out of reach we went for two and scored, making the game a two possession game. Dubois 18, My team 27. There was two minutes left, and all we needed to do was hold on defense. After allowing one more first down, we forced them out, giving us the schools first varsity win in over 5 years. It was one of the most glorious moments of my life. We celebrated like we had never won before, well because we never really had. In preparation for this moment we had high jacked one of my friends' home stereo systems so that we could fill the whole room with sound. I was one of the last to leave the field, and as I came to the locker room door I could hear Your Disease starting to play. As I opened the door Josey Scott wailed "Huah!" and the room filled with the blast of the guitars, screams, and tears of celebration. Pure Glory. It was a night I will never forget, and Your Disease has frozen that in time for me.
In one moment I'm goin' all the way
I make my poetry everyday
And I'm frozen comin' right on time
I froze my mind with that serious rhyme
And I'm open comin' up inside
You know, my mind has got a grand design
And I'm flowin', goin' all the way
I make my point to be everyday, come on
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
My mind's broken, I'm goin' up in smoke
If you breathe my toke I'm guaranteein' you choke
And I'm chosen to testify the masses
Wear dark glasses like the cops in Texas
All knowin' it's not a premonition
Kill the competition like a man on a mission
I'm blowin', comin' up inside like the Bee Gees cry
I'm just stayin' alive, come on
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
So now I'm finally goin' down
Can I find my way back home?
Now there's no one else around
Can I find my way back home?
Will I ever see the light
Even though I'm fallin'?
(Will there ever be any peace for me)
Even though I'm falling
(Will there ever be any peace for me)
Even though I'm falling
(Will there ever be any peace for me)
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
And I wanna take you down but your soul cannot be found
It doesn't matter much you see 'cause your disease is killin' me
And you know it's only right 'cause it feels like paradise
And I know nothin' is for free 'cause your disease is killin' me
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